I find myself in the backwoods of Monroe on a Sunday before band rehearsal, overlooking a basin of standing water with no obvious outlet to the myriad running streams that run down Webb Mountain to Lake Zoar and the Housatonic River. A day after my Chiron return, it seems an appropriate place to be.
I have to imagine there’s a better name for this pond formation I’m studying, on whose shores I’m meditating. A river that finds a newer, more efficient path to the sea and leaves behind a pond such as this would be said to have left an ox bow lake behind. This isn’t an ox bow; at least, I can’t see any stream feeding it. It might be the water table I’m observing; it might only be evidence of a recent rainfall, except that we really haven’t had much of that in the past weeks. Water table it is, then, until I know better.
I just discovered a tiny inchworm on me. As innocuous and potentially benevolent as he might be, I’m really not much in a mood for hitchhikers, so I carefully pluck her off my shirt and set her down on a nearby boulder in arm’s reach of the boulder on which I’m catching my breath from the strenuous hike up here. As I finish this paragraph she’s disappeared off the stone and into the underground of the decayed leaves and twigs trampled by others who’ve been here before me, slowly returning to the earth.
Chiron came out of his retrograde zone on 29 February, when he passed 5 Pisces 29. Since then, he has been traveling through degrees of the zodiac he hasn’t visited in fifty years. Saturday night, at 1827h EDT, he came back to the position he happened to occupy when I was shot out of my mother. Between now and February he’ll visit that degree twice more.
Several astrologers through the ages assigned meanings to each of the 360 degrees of the zodiac: some rather literal in interpretation, some more metaphorical (if not hyperbolic). Most of these lists of degree symbols have been aggregated at an amazing lexicon of matters arcane, Aux Mailles Godefroy, from which I’ve culled the following interpretations.
Most recently of the astrologers who’ve published such lists, Adriano Carelli says this about the 10th degree of Pisces:
Stubborn pursuit of the laws hidden behind nature’s appearances.. Hard and efficient work; an uncommonly sharp and analytical mind; practical sense, perhaps marred by a certain routinism; a gift for exact sciences, especially physics and chemistry (or alchemy).
In front of strangers the native’s behavior will be cautious and reserved. People’s behavior toward him will be typical: he will be looked upon with that kind of uneasiness or mistrust that earthworms harbor in front of a really superior being, in whom they feel they might find their master. His teachings will be ignored rather than fairly discussed and openly fought. As to himself, he is so engrossed in his researches as to overlook such trifles; the deeper he delves into Nature’s bosom, the more he loves her with a fervor which could be termed religious—even if he started to be a godless materialist. Willing to forego present glory, he works for those future generations who will in fact recognize him as a trailblazer. Barring harmful influences, his ought to be a long life, marked by a great magnetic force.
I find this to have been true of my life so far. Mind you, I’d stop short of regarding myself a “really superior being”, and I’m not convinced others look at me like that (“in whom they feel they might find their master”? Srsly?), but I do feel as though people have never fully trusted me, that that magnetic force has largely been repellent; that the vast portion of humanity don’t take me seriously enough to even comment on any advice I might have to give. And I also know that because I’ve always sussed that I have bigger fish to fry, whether they did or not has been pretty far down on my list of considerations.
Kozminsky’s symbol is less literal-minded, and gives me some pause.
A man sweeping together quicksilver which has fallen from a dish and has scattered in all directions.
As much as I’ve been trying to wrap up various personal projects such as the Luminous City remaster and the first Arc album, along with the two CAPE tracks that me and my two teams have been working on since February (La Volasfera reads the degree: “On a table of plain surface lie a number of chemical instruments, a retort, a pestle and mortar, a bent tube, and a crucible being the chief”), it has seemed as though other things have been slipping through my fingers. When one item on the list is about to get checked off, two more appear at the tail end to take its place: it’s like fighting a hydra, and it literally took Herculean effort to destroy the one in the myth.
Esther Leinbach’s examination of this degree produced this interpretation:
Natives of this degree are sure to be tested. The material world holds little promise for success. May obtain a reputation as a man of character. Often these natives purse one of the arts, drama, music or poetry often with some melancholy. An adventurous life is indicated here. He may arrive at a measure of distinction and success. The extent of his character is usually indicated the extent of the ordeals he must go through and the way he meets these tests. The greatest satisfaction in life is to be able to cope successfully with challenging problems. When they are handled successfully and in a clever manner he often feels it was no threat at all, and rather enjoys challenge he successfully met. It is not wise to feel too sorry for these natives. For the most part, the trials they face are welcomed and are a measure of their greatness. It is sad however when a weak and immature individual crumbles under the load of a situation he is unable to meet with success. Even here there is something to be learned and understood more clearly.
I am grateful that there are at least a few people in my life who recognize how important it is for me to walk the walk as well as talk the talk—although I’ve never been much at holding words more sacred than actions, my own or others’. I’m not so inclined to talk about the walk as I am to walk it—and that’s going to need to change as I become a Reiki Teacher.
Then there’s Ellias Lonsdale’s Chandra symbol, which Aux Mailles doesn’t seem to know about yet:
An old witch on a windy promontory. She is calling to the sea.
He continues, “Wildly tuned in. Staggeringly aware of the overall situation and its call, you respond deeply and with earnest, plaintive engagement with all that is happening. You are profoundly emotional, physical, and personal in order to ground and focus a vaster attunement, urgently and critically mobilized at hot spots. Assigned to tune in to everything and make sure all the cosmic bases are covered–inner-planes activity predominates. You live within vast worlds, and are psychically charged with all that is being taken in, but your central focus is to respond, to report, to send the inner messages, to keep the lines open. Emergency and crisis sensibility inside of things, searching for signs, and knowing how to be there on the spot to turn things around by inward force of the magical will.” Kind of difficult to do when hardly anyone takes my words seriously—but then, it comes back to the back-asswards nature of words over deeds, doesn’t it?
The best-known group of degree symbols would be the Sabians. 9-10 Pisces is equally telling.
As a tiny fleck of dust in the sky, the aviator sails across the horizon in absolute mastery of these higher realms.
And an old Colin Hay song flits through my head: “All alone you’re born and die the same.. in between can take a while.” (If Carelli has anything to say about it, it may well.) What leaps out at me is that the aviator is alone in the cockpit, just as in the end, he is alone on his path. Friends walk, or fly, their path nearby, close but not close enough to touch.
I’ve been in this crucible for a while now, and I’ve felt as though it’s burning off the parts of me that need to rise and fall out of me like vapor or excreta, in order for me to eventually arrive at that essential purity of which the version of me signing off on these words is just a shadow. I just don’t want it to burn off the rest of me too; I worry that I go too far and still can’t seem to trust the universe in what it’s telling me, even as it’s telling me that it trusts me. Charubel tells of the kind of heat being used:
A fixed star. A transcendental Sun. It sheds a halo of supernal glory on the ascendant.
Alchemists referred to these stepwise processes as calcination (reduction, usually by fire, of the base element to an substance no longer affected by fire), dissolution (further reduction by a liquid, say, water or acid), separation (discernment of what needs to be kept and what needs to be discarded after dissolution), and conjunction (bringing the raw material kept after separation into a new form). They weren’t just physical processes: they were spiritual as well.
Viewed in those terms, I’ve been tested, and parts of me accepted, and parts rejected. I’ve reached, and am apparently still in the process of, putrefaction. It’s part of the process of fermentation, the fifth alchemical step, in which the purified result of conjunction is allowed to wither and rot, allowing natural forces to produce a new essence emerging from the debris of the old.
The dull roar of stagnation is building, and will deafen me if I do nothing to make something happen soon: there are plans to hatch and not a lot of money to hatch them with. Maybe it needs to deafen me.
Still, here I sit next to the water table, doing nothing but thinking about it, trying like hell to think about nothing and Just Be, the words to the chorus of that Colin Hay song ricocheting among the maples and the pines: “Hold me if you’re lonely…”, wondering about the identity of that personality inviting me to hold her.. or him.
But the degree interpretation of Jeanne Duzéa gives me reason to hope that that halo is coming in my lifetime:
A horse jumps the fence of his enclosure.




